by Katie Anderson
During early Spring 2014 – yikes – I spent an intense month at the Scottish Sculpture Workshop. Taking time out of the everyday allowed for the pursuit of obsession. I started out without direction, walking daily and experiencing my new environment as a heightened, noticing light changes, wind movements, the bright, still winter sun shining almost warm in clear skies. My residency became a desire to create an instrument to observe or experience environment in a new way. For a variety of reasons, this plan ultimately failed. But the obsession stuck. I returned back to regular speed with a hand full of test pieces, new methods, and strands – as yet unconnected.
My favourite objects were the horns. The amplification of sound – whether projected out, or listened through, was slight, and distorted, but allowed for a new listening to space. Potential. Each placing of the horns was somehow unsatisfactory, so they have sat as talking pieces to be moved around regularly, to become part of the furniture.
Some things just take time. The residency’s work continues, and the place for horns is almost here.